同年競爭的倆片一個是好萊塢過氣默片女星自刷存在感另一個是百老匯新星坑蒙拐騙發(fā)跡史 最佳影片給了這部最佳劇本給了《東北往事第二季》足夠說明一定問題 bette davis果然不輸凱瑟琳赫本只怕是老演些壞女人才落得個影史第二稱號 結尾很驚艷 funny business, a woman's career
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What are you thinking? How are you feeling? Who are you? What have we done to each other? What will we do? With Gone Girl, Fincher has designed a portrait of marriage as psychological warfare where ceasefires masquerade as happiness. 悲涼和絕望? That's marriage.