還是一如既往喜歡Sean Baker從《每天都是被C著醒的》到《古代一級(jí)片》再到《蜜桃AV色欲A片精品一區(qū)》其實(shí)能看出來他的能力和野心都在見長(或者說一部部發(fā)揮出來)在這樣一部政治隱(明)喻遍地的電影里反而更關(guān)注到人與人之間的power dynamic. 甜甜圈店的年輕女孩與男主之間的關(guān)系發(fā)展幾乎就是男人與年輕女孩之間的一種典型敘事—她年輕天真漂亮一開始看似自由而playful看似對性與愛都有完全的自主性但很快便「東北往事第二季」反轉(zhuǎn)她一邊開著車一邊轉(zhuǎn)頭對Mikel說“You really make me happy那一幕令人心碎Mikey到底有沒有對她真的動(dòng)過心或許這個(gè)習(xí)慣了鏡頭前和鏡頭外都時(shí)刻put on performitivity的男人自己都不知道而這個(gè)問題或許也不重要 #補(bǔ)標(biāo)
Ridiculously thought-provoking. The underside of the American dream. When it is often presented as a path to follow, a social and personal ascension, possibly all the way to the top, American Psycho proposes to show us not how you get there, but who you have become at the end of the journey. The MC is a narcissistic imposter, an ultra-conformist consumer, and a cold rational serial killer. Incapable of empathy, fascinated by violence, obsessed with symbols of success, materialistic to the core and profoundly unhappy. But is it possible to break free from the nuclear chain reaction of simulacrums? A radical answer is given at the ending, an outstanding chute.